Stax Profiles: Albert King

Albert King

Stax Profiles Albert King
  • CAT # STXCD-8622-25

    1. Born Under A Bad Sign (With Stevie Ray Vaughan) 3:39
    2. Lovingest Woman In Town 5:42
    3. She Caught The Katy And Left Me A Mule To Ride 3:56
    4. The Sky Is Crying 4:09
    5. Don't Throw Your Love On Me So Strong 8:24
    6. (I Love) Lucy 2:52
    7. Can't You See What You're Doing To Me 3:38
    8. Everybody Wants To Go To Heaven 3:45
    9. Angel Of Mercy 4:15
    10. Oh, Pretty Woman 4:20
    11. I'll Play The Blues For You (Parts 1 And 2) 7:21

About Stax
Stax Records is synonymous with Southern soul music. Originally known as Satellite when it was founded in 1957 by Jim Stewart, the fledgling company set down roots in Memphis two years later and in 1961 changed its name to Stax, from the first two initials of Stewart’s last name and that of his sister and co-owner, Estelle Axton. Among the many artists who scored hits on Stax and its Volt subsidiary during the Sixties were Rufus and Carla Thomas, Booker T. & the MGs (an interracial instrumental quartet that also served as the company’s rhythm section), Johnnie Taylor, Albert King, and Otis Redding. Redding’s death in 1967 signaled the end of the first Stax era (to which Atlantic retains distribution rights). Subsequently the company spawned a new crop of hitmakers, among them Isaac Hayes, the Staple Singers, and the Dramatics. In June 1977, a year and a half after Stax went bankrupt, the company’s masters were purchased by Fantasy, Inc., which periodically revived the Stax and Volt logos for new recordings, in addition to reissuing older material. Stax/Volt became part of the Concord Music Group in 2004.

Albert King – Stax Profiles (Selected by Bill Belmont)
Perhaps no one in the music business knows more about the recordings of blues titan Albert King than does Bill Belmont. A longtime executive at Fantasy Records, Belmont has been rummaging through the treasure trove of Stax tapes on the second floor of the Fantasy building in Berkeley, California, searching for King music to reissue—and, in many cases, to issue for the first time—ever since Fantasy acquired Stax in 1977. He’s come up with another real winner here. It includes a live rendition of King’s first hit, “Don’t Throw Your Love on Me So Strong,” recorded during the bluesman’s famous 1968 string of gigs at San Francisco’s Fillmore Auditorium, and the full-length version “I’ll Play the Blues for You,” King’s 1972 hit studio collaboration with the Bar-Kays. And, as icing on the cake, there’s a previously unissued version of “Born Under a Bad Sign” from 1983, on which King was joined by his leading guitar disciple, the late Stevie Ray Vaughan.

Find out more about Albert King

RECENT RELATED RELEASE

On December 6, 1983, legendary blues guitarist Albert King joined his disciple Stevie Ray Vaughan on a Canadian sound stage for the live music… More

MORE RELEASES FROM ALBERT KING

Digitally remastered edition of this 1991 album from the Blues legend, reissued to coincide with his induction into the Rock 'n' Roll Hall Of Fame. More
Any list of seminal 1960s electric blues albums is incomplete without Albert King's Born Under a Bad Sign positioned near the top. The… More
ALBERT KING’S I’LL PLAY THE BLUES FOR YOU AS PART OF ITS STAX REMASTERS SERIES More
The Definitive Albert King on Stax follows 15 years worth of recordings — from 1961 to 1975, plus a final track from 1984. More
This 24-bit remastered disc is a career-spanning collection of 20… More
The release in 1967 of Albert King's Born Under a Bad Sign marked a watershed in the history of the blues or, as reissue annotator… More
Albert King's brilliant infusion of modern soul grooves into the blues, which he developed at Stax Records in consort with Booker T. & the… More
During his eight years (1966-1974) at Stax Records, Albert King literally redefined the state of urban blues and achieved his greatest level of… More
Recorded at the Montreux Jazz Festival in 1973, Blues at Sunrise features Albert King live and unfettered. While nearly all his Stax… More
With the Bar-Kays and Isaac Hayes's Movement alternately supplying the funky rhythms and the Memphis Horns contributing the riveting riffs, I'll… More
Albert King (1923-1992) was perhaps the only artist in the history of the blues whose music appealed equally to black and white audiences. That he… More
Titled The Pinch when first issued on LP, the CD title is something of a misnomer because the blues has changed greatly during the 20th… More