Work Song [Keepnews Collection]
CAT # RCD-30506-25
1. Work Song 4:15 2. Pretty Memory 3:54 3. I've Got A Crush On You 2:56 4. Mean To Me 5:01 5. Fallout 4:55 6. Sack Of Woe 4:28 7. My Heart Stood Still 6:26 8. Violets For Your Furs 3:49 9. Scrambled Eggs 3:19
Orrin's commentary (from his original liner notes): "There are two very good reasons why this album, which at this writing is just a couple of years short of being a half-century old, remains one of my warmest recording memories. Undoubtedly the more important reason is that this really represents the coming of age of Nat Adderley, a man I will always consider among the most adventurous and intelligent players and leaders I have ever worked with. But to step back and evaluate this album in a very personal way, it is half of what must be one of the most complicated and most rewarding weeks of recording activity I have ever experienced."
Personnel: Nat Adderley on cornet and support cast including pianist Bobby Timmons, guitarist Wes Montgomery, cellist Sam Jones, bassist Percy Heath, drummer Louis Hayes, and others.
Key songs: "Work Song," "Sack of Woe"
Orrin on The Keepnews Collection:
This is a series of reissues that can be described as largely centered on my incredibly long (even to me) career as a jazz producer, contributing to the careers of some of the most significant jazz performers of our day. The series follows a specific set of ground rules. In each case the original product is preserved-cover art, the notes, and the entire initial recorded content, in the exact original sequence-and it is now presented with the sonic benefits of 24-bit remastering from the original master tapes. Alternate takes or originally unissued numbers, when available, appear as bonus tracks. In some instances I've added to the total lineup a never-used version that may have been recorded forty or more years ago. When that occasionally allows you to hear for the first time a "new" performance by a long-departed artist, be aware that I join you in considering this a truly wonderful addition. Finally, I have written a complete set of new commentaries, digging back into my memories of those often very good old days to tell a few more stories about this remarkable music and its people. On the whole, I am unreasonably and unshakably proud of the results.
Find out more about Nat Adderley