"The melodic side of Mitchell's artistry is emphasized on these 13 selections. Here, the masterful improviser addresses pop standards and jazz originals with the emotion and invention that made him such a favorite with his peers as well with those in the jazz world at large who appreciated his gifts."
--from the liner notes by Zan Stewart
with Art Blakey, Roy Brooks, Paul Chambers, Jimmy Cleveland, Junior Cook, Tommy Flanagan, Curtis Fuller, Urbie Gree… MORE
MORE RELEASES FROM BLUE MITCHELL
This is the hidden gem in the small but important library of jazz sessions featuring trumpet soloists with strings. It is built around one of the… More
Some musicians acquire an image as small-group players through the circumstances of their working career and the particulars of their style. Blue… More
with Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones, Benny Golson, Sam Jones, Art Blakey, Paul Chambers, Jimmy… More
Highlighted by Tom McIntosh’s beautiful title tune, Blue Mitchell’s The Cup Bearers is one of the trumpeter’s most… More
Blue Mitchell possessed one of the truly individual trumpet sounds: richly melodic but always strong--clearly in the tradition of Clifford Brown… More
Orrin's commentary (from the original liner notes): “This is Blue Mitchell's third album as a leader. The first two were very good and well… More
Firmly established by Big 6 (OJCCD-615-2) as a new star in the Riverside stable of artists, Blue Mitchell in late 1958 took Benny Golson… More
ABOUT BLUE MITCHELL
Trumpeter Blue Mitchell (1930-1979) always had a sound of his own, featuring a cry in his tone that was immediately recognizable.
Mitchell began his career in the early 1950s by touring with r&b bands including those led by Paul Williams, Earl Bostic, Chuck Willis, and Red Prysock. Back in his native Miami, the trumpeter was discovered in 1958 by Cannonball Adderley, who used him on one of his dates. That same year, Mitchell joined the Horace Silver Quintet, an association that would last until 1964.
From 1958-1962, Blue Mitchell led several albums for Riverside and these feature him in diverse but consistently rewarding settings. Big Six finds the hard-bop trumpeter holding his own with an all-star group consisting of trombonist Curtis Fuller, tenor saxophonist Johnny Griffin, pianist Wynton Kelly, bassist Wilbur Ware, and drummer Philly Joe Jones; their version of Golson’s “Blues March” is its first recording. Out of the Blue has the trumpeter sharing the frontline with tenor saxophonist Golson while Blue Soul features Mitchell showcased in a quartet and with Fuller and tenor saxophonist Jimmy Heath in a sextet. Blue’s Moods is a special set because it really lets the trumpeter stretch out throughout the quartet date. Smooth as the Wind has Mitchell joined by a brass section, a rhythm section, and strings arranged by Tadd Dameron and Benny Golson. A Sure Thing, a nonet project with arrangements by Jimmy Heath, and The Cup Bearers (which has the trumpeter leading the Horace Silver Quintet, with Cedar Walton in Silver’s place) conclude Mitchell’s Riverside period.
Blue Mitchell led a quintet during 1964-1969, spent two years apiece as a featured soloist with Ray Charles and John Mayall, and ended his career playing in Los Angeles with the big bands of Louie Bellson, Bill Holman, and Bill Berry in addition to co-leading a quintet with Harold Land. Cancer cut short his life at age 49.