16 OCT 14 CONCORD MUSIC GROUP
Rounder Records is pleased to announce the release of Keep Me in Your Heart for a While: The Best of Madeleine Peyroux, the debut anthology of the critically acclaimed, singer-songwriter’s nearly 20-year career. The album includes favorites not only from Peyroux’s releases with Rounder, but also tracks from her Atlantic and Decca/Emarcy catalogs. Additionally, the compilation includes one previously unreleased recording—the collection’s title track and Warren Zevon cover, “Keep Me in Your Heart”—which appeared in 2011’s independent film Union Square. Liner notes by former Atlantic Records A&R man, Yves Beauvais, who discovered Peyroux, complete the package.
Peyroux, whose voice has often been compared to that of Billie Holiday’s, was discovered while in her early twenties, when Beauvais spotted her at a New York club. He recalls the worldly singer’s set to be “some of the most exciting, viscerally moving minutes of my music-listening life.” Beauvais subsequently signed Peyroux to Atlantic and co-produced her 1996 debut Dreamland. And the rest, as they say, is history.
A living document of her artistic metamorphoses, Keep Me in Your Heart for a While… combines the poignant with the charming, the old with the new, and the standard favorites with the original compositions. Beauvais writes of his protégé, “Whether she sings Leonard Cohen ("Dance Me to the End of Love"), Bob Dylan ("You're Gonna Make Me Lonesome When You Go") Charlie Chaplin ("Smile"), Edith Piaf ("La Vie en Rose"), or post-punk songster Elliott Smith ("Between the Bars"), [Madeleine] brings to this most diverse material the same beguilingly cautious, respectful, and crystal clear way with the melody, the same revelatory focus to the lyric's delivery.”
Purchase Keep Me In Your Heart: The Best of Madeleine Peyroux:
Amazon CD: http://smarturl.it/KeepMeInYourHeartCD
30 APR 14 CONCORD MUSIC GROUP
Curtis Stigers released his eleventh album Hooray for Love on April 29, 2014, his eighth for Concord Records. The album includes classics from the Great American Songbook including such gems from the repertoire as George and Ira Gershwin’s “Love Is Here to Stay,” Jerome Kern’s “The Way You Look Tonight,” and “If I Were a Bell,” from Guys and Dolls, as well as three songs written or co-written by Stigers, including the title track, “Hooray for Love,” “Give Your Heart to Me,” and “A Matter of Time.” Of his new album, Stigers comments, “On almost all of my Concord records, I’ve done a standard or two and lot of songs by modern songwriters. This time around, I’ve flipped it and recorded mostly standards with a few modern songs.”
A seamless combination of old and new songs, a classic pop album recorded with jazz musicians and a jazz sensibility, Hooray for Love is a celebration of this universal human condition. “I set out for this album to be like an old Nat King Cole record from the '50s. I’ve had a lot of people ask me to do more standards, not critics or record companies, but friends. So, I had a running list of songs that I love and have always wanted to record. This time it really made sense.”
As with most of Stigers’ recordings, he is very comfortable juxtaposing standards with modern songs. In addition to the songs penned by Stigers, Hooray for Love also includes a Steve Earle song called “Valentine’s Day,” included because, as Stigers notes, “I like songs with stories that are told from a point of view of someone that is flawed, and this narrator is, although he ultimately redeems himself with some very romantic wordplay. I think that, while it’s important to keep the Great American Songbook alive, it’s equally important to be open to adding to it.”
Recorded at Brooklyn Recording studio, Hooray for Love was produced by Stigers and John “Scrapper” Sneider and features musicians Matthew Fries (piano), Keith Hall (drums), Cliff Schmitt (bass), Matt Munisteri (guitar), and Sneider (trumpet).
CD | MP3
11 FEB 14 CONCORD MUSIC GROUP
Four-time GRAMMY winner Dianne Reeves has released Beautiful Life, her eagerly anticipated first album in five years. New to the Concord Records imprint, yet established as one of the classiest vocalists around, Reeves powerfully sustains her genre-defying tradition with elements of jazz, contemporary R&B, classic soul, modern pop, and vintage funk. Through her two sublime originals, "Cold" and "Satiated (Been Waiting)," along with covers by Marvin Gaye, Fleetwood Mac, Bob Marley, and Ani DiFranco, Reeves covers a lot of musical ground—and incorporates a lot of talent, too.
Beautiful Life features an A-list supporting crew, including production by Terri Lynne Carrington and musical appearances by Esperanza Spalding, Gregory Porter, Robert Glasper, and George Duke. A soulful and sophisticated rendering with a sweet, sexy, and celebratory underlying tone, Beautiful Life is an inspiring affirmation not to be missed.
21 DEC 13 CHRIS SLAWECKI
Search the Concord website for "Burt Bacharach" and the engine returns no results. But the brilliance of his collaborative songwriting with lyricist Hal David, especially in the 1960s and early '70s, shines throughout this catalog.
Lushly remade, "Walk on By" kicks off Isaac Hayes' solo breakout Hot Buttered Soul (Stax, 1987, and now available on vinyl, too). But it was (much) differently addressed by saxophonist Sonny Stitt on Soul Classics (Original Jazz Classics, 1991), was reinvented by the Wynton Kelly Trio on Full View (OJC, '96), and also turned up on Brothers-4 (Prestige, 2005), which marks the last time that soulmates Don Patterson and Stitt recorded together.
"Close to You" was addressed opulently by Hayes on Black Moses (Stax, '89) and tastily by Ella Fitzgerald on Ella A Nice (OJC, '90), but also appears on funky Prestige Legends of Acid Jazz compilations from Houston Person ('96) and Leon Spencer ('97), and was more smoothly rendered by Gerald Albright (Pushing the Envelope [Heads Up, 2010]).
Hayes also surveys "The Windows of the World" Live At The Sahara Tahoe (Stax, '89) and "Do You Know the Way to San Jose?" appears on Quartets & Orchestra (Milestone, '89), which compiles the last two albums that pianist-composer Bobby Timmons recorded for Milestone.
Plus there's Dionne Warwick's retrospective My Friends & Me (Concord, 2006), where the primary voice of these and other Bacharach-David classics revisits them in the company of old friends and new, including Gladys Knight, Angie Stone and other vocal contemporaries.
BROWSE ARCHIVE OF JAZZ VOCALS VOICES