Pablo

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Pablo

(Est. 1973) The story of Pablo records is a story of one veteran producer’s return to the music he loved best. Norman Granz, founder of Jazz at the Philharmonic, so missed the recording aspect of the music business — which he’d abandoned in 1962 when he sold his Clef, Norgran, and Verve labels to MGM — that a little more than a decade later he decided to take the plunge and start up yet another label. Based in Beverly Hills, California, at the time, Granz secured a distribution deal and launched Pablo Records in 1973, quickly building a world-class catalog of albums by legendary artists Ella Fitzgerald, Joe Pass, and Oscar Peterson — all of whom Granz managed — as well as Count Basie, John Coltrane, Duke Ellington, Dizzy Gillespie, Art Tatum, Sarah Vaughan, and many others. After releasing more than 350 albums in a span of less than 15 years, Granz sold Pablo to Fantasy in 1987, which in turn merged with Concord Records in 2004 to form Concord Music Group.


PABLO FEATURED ARTISTS

Count Basie

Count Basie

Like his contemporary Duke Ellington, Count Basie was a musician whose style was first formed by the virtuosi of the Stride school, although an irrepressible spark of originality made it possible for him to amend that style into something utterly personal.

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Dizzy Gillespie

Dizzy Gillespie

Dizzy was one of the leaders of jazz movements, inte­grating into the mainstream of jazz tradition a penchant for Afro-Cuban rhythms which lent a broad streak of exoticism to his work, especially his extended works for large orchestra.

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Coleman Hawkins

Coleman Hawkins

Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor.

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Sarah Vaughan

Sarah Vaughan

Sarah Vaughan is a legend. She garnered worldwide accolades for her incomparable versatility, which musically bridged all the generation gaps. Not only was she a consistent winner in polls conducted among the public; in addition, she emerged on top in surveys conducted among her musical peers.

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