29 JUL 14 CONCORD MUSIC GROUP
Stax Records will reissue two seminal albums by one of the most influential bands of the 20th century: #1 Record and Radio City by Big Star. Both releases, which have been out of print as individual CDs in the U.S. for many years, will be remastered from the original analog tape sources, and are due out September 2, 2014.
#1 Record and Radio City will be available digitally in standard, Mastered-for-iTunes and 24-bit high-resolution audio. LPs of the two albums are presently in print, available via Stax Records. Liner notes by R.E.M.’s Mike Mills (a vocal fan of Big Star, as well as a core musician on the “Big Star’s Third” concert series) will accompany the releases.
Big Star, considered to be among the founders of power pop, has been cited as an influence by many of the major alternative bands of the ’80s and ’90s, and continues to be a powerful presence in today’s musical landscape. Artists such as R.E.M., Teenage Fanclub, The Replacements (who famously penned the song “Alex Chilton”) and Wilco all enthusiastically tout the artistic impact of the group. Mike Mills recalls Big Star as “a band who had gotten it right, who made records that sounded like rock and roll bands should sound. A band who wrote all the songs, from flat-out rockers to achingly beautiful ballads that were still somehow rock songs.”
The Memphis band formed in 1971, with a lineup of singer/songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Heavily inspired by the British Invasion, Chilton and Bell drew on the Lennon/McCartney style of collaborative songwriting to create their debut — Chilton taking a visceral approach, often laying down guitar and vocal tracks in one take, while Bell added polish with overdubs and harmonies. Ardent Records founder John Fry engineered the album in his studio and released #1 Record on his Stax-distributed label in 1972 to sweeping critical success.
In the fall of 1973, following the departure of Chris Bell, the band regrouped and began work on album number two with Alex Chilton at the helm and Fry once again behind the console. Losing the creative input of a major talent such as Bell could have wreaked havoc on the band’s progress, however, Chilton was able to use this opportunity to shine, and prove himself to be an incredible songwriter on his own. Journalists and fans agreed: bearing another tongue-in-cheek title, Radio City garnered rave reviews and produced several cult favorites, including “September Gurls,” which has been covered by everyone from The Bangles to Superdrag.
The legacies of #1 Record and Radio City have far exceeded the original commercial letdowns of both albums, which are now considered to be milestones in the history of rock by critics and musicians alike. The two LPs made it onto Rolling Stone’s 500 “Greatest Albums of All Time” lists, while tracks from each album (“Thirteen” and “September Gurls”) are also among the magazine’s 500 “Greatest Songs of All Time.” Numerous artists (Elliott Smith, Beck and Jeff Buckley to name a few) have recorded covers of the band’s songs. Big Star has been honored with a tribute record (Big Star Small World, 2006), a documentary (2012’s Nothing Can Hurt Me) and a touring live show, “Big Star’s Third,” which features the sole-surviving original member of the band, Jody Stephens, on drums, guest vocalists, a chamber orchestra and a core band including Mike Mills, Chris Stamey of The dB’s, The Posies’ Ken Stringfellow and others. The ever-changing ensemble performs Big Star’s album Third/Sister Lovers, as well as favorites from the first two records.
Of the reissues, Stephens says, “Very glad to see these two coming out with the sonic approval of John Fry. Grateful for Chris, Andy and Alex and for Jon and Ken. The music’s journey continues.” Fry adds, “All I can say is that these were the best projects I have ever worked, with the best artists and friends I have ever had the pleasure to know. I love the music and the cast of characters: Chris, Alex Andy and Jody. I think fans will be pleased by the sound and the packaging. They may have to turn the volume up a bit, since we did not want to remove the analog dynamic range. Sit back and enjoy the definitive digital versions of #1 Record and Radio City, two of my three favorite albums.”
The band’s enduring legacy can be attributed to many factors, but perhaps Mike Mills summarizes it best: “Songwriting has always been, for me, the most vital gauge of a band’s quality, and these guys were clearly masters … [Big Star] gave you something satisfying to listen to, no matter how many times you heard them.”
28 JUL 14 CONCORD MUSIC GROUP
21 JUL 14 CONCORD MUSIC GROUP
"The excellent single “Do You” now has a video by Hiro Murai that finds Britt Daniel sporting a head wound and driving a station wagon through an apocalyptic Los Angeles with a lady in the backseat." — Stereogum
Spoon have premiered their new official music video for "Do You." You can watch it here via Urban Outfitters.
If that's not trippy enough, check out the visual for "Inside Out," the band's next song, out digitally July 22nd and on Vinyl Gratification 10".
Read the live chat and see how Spoon premiered "Inside Out" to their fans on Consequence of Sound.
17 JUN 14 CONCORD MUSIC GROUP
Japan has produced an impressive assemblage of jazz pianists, from Toshiko Akiyoshi and Makoto Ozone to Junko Onishi. And now, well into the change of the 21st century, the pianist/composer Hiromi Uehara is the latest in that line of amazing musicians. Her ninth CD as a leader, Alive, heralds the return of Hiromi’s Trio Project, featuring contrabass guitarist Anthony Jackson (Steely Dan, Paul Simon, Michel Camilo, The O’Jays and Chick Corea) and drummer Simon Phillips (Toto, The Who, Judas Priest, David Gilmour and Jack Bruce). This terrific triad, which DownBeat magazine proclaimed as “one of the most exciting groups working in any genre today,” first formed in 2011 and recorded their first album Voice that year, followed by Move in 2013. On Alive, Phillips’ powerful, yet poetic percussion and Jackson’s flowing, glow-in-the-dark basslines beautifully buoy and support Hiromi’s ingenious and impassioned improvisations. Her evocative and expansive compositions evoke the myriad moods and mysteries of life and reveal the soulful, syncopated simpatico of her thrilling threesome.
“Alive has a double meaning for me,” Hiromi says. “I wanted to write songs that deal with things and emotions that we encounter in life. But the word Alive can also mean ‘played live.’ I’ve been performing with Simon and Anthony for four years. We’ve made three records together, and we’ve done so many live shows as a trio. We have a great time being adventurous, and I felt that we can make the record sound like a live recording in front of the audience.”
That’s the great thing about having a working trio: We understand how to make each other shine. Anthony is an amazing improviser. He composes incredible counter-lines when I solo, and he always plays something to make [the music] shine even more. And Simon has an amazing tone and a beautiful sound on the drums; he's like an orchestra. They can play anything, and they understand so many different genres of music. They have no boundaries. It’s been a great journey with this group.”
And the journey continues on Alive, featuring nine selections (all composed by Hiromi, beginning with the leadoff title track), which features a shimmering McCoy Tyner/Coltrane-like introduction that morphs into a torrid up-tempo pace. “I wanted the first track to sound like the beginning of life,” Hiromi says, “with every complicated and detailed combination of life’s creation.”
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